TUMBLE DREAMS

Tumble Dreams is an immersive projection mapping installation that highlights untold stories of undocumented Latinx immigrants, their quest for a better life, and the realities they face when crossing the U.S. – Mexico border. Bert fuses art with ideas about migration, using the tumbleweed as a symbol of the American West, to create this immersive experience. By projecting the images of immigrants onto the tumbleweeds, Bert compares their journeys to the unpredictable, haphazard movement of these resilient desert plants. Much like the tumbleweeds that blow across the open desert with the guidance of the wind, these individuals endure an arduous and unpredictable path, adapting to the ever-changing and harsh circumstances they encounter during their migration.

The installation is a window into a unique dream-like realm, in which tumbleweeds float in a dark space that engulfs the viewer with voices and moving imagery, metaphorically representing the dreams, hopes, and fears of those searching for a brighter future.

Chilean born and L.A.-bred Guillermo Bert is an artist for our time. His is a visual voice that bridges worlds through his installations, blending raw textural forms with digitized media and film. Bert’s current series, Tumble Dreams, follows from a decades-long trajectory starting with his series Encoded Textiles – begun as a joining of Mapuche weavings and smart phone technologies to tell the stories of indigenous cultural survival – and flowing from his more recent Exodus Series. The Exodus Series expanded his use of embedded technologies that, when scanned with a smart phone, open the viewer to stories steeped in places: indigenous, remote, yet present. Expanding into new forms and interviews here, Bert and his collaborators trace the migratory routes of Zapotec and Mayan diaspora coming to Los Angeles to realize the American Dream. For these dreamers (as with the DACA Dreamers caught in the bureaucratic whirlwind of policy retractions), the realization of their dream is often met with the dark side of living in its shadows. It is in those less visible places where Bert casts his light as an artist.

Stories lie at the center of Bert’s work. Less tech-centered than previous works, the pared back Tumble Dreams combines the elegance of natural objects (tumbleweeds) with oral histories “embedded” in the casing of the tumbleweed itself. His idea of how to tell those stories is at once shocking as it is compassionate. Through projected interviews, we learn about endurance and hope, about torn families subjected to the dangers of the journey. This is not an allegoric hero’s journey. This is the grist of lives split apart and confronted by the hard choices that find migrant workers in the rough and tumble worlds of bandits, border patrols, hunger and separations. These very survivals defy the threat of the border itself. The journeying migrants may appear to be like tumbleweeds, but they are not without purpose. As Bert describes,

I would like to represent this journey by the image of a tumbleweed, always changing direction, forming a new kind of nomadic population on the move. The tumbleweed is particularly tied to the southwest landscape where the dry conditions and the desert are also the backdrop of the crossing for the Latin American migrant.

The stories of up rootedness and tenacity that these works capture tell tales of transmigratory routes we rarely hear or see. The interviews and images placed inside the matted net of the tumbleweed give sculptural shape to the social complexities that connect each migrant’s personal journey to another. Each tumbleweed is both a nomad and a node in a larger distribution system. As with much of Bert’s work, a multi-layered narrative begins to emerge, creating a through-line of interwoven lives. The tumbleweeds, like the lives of many immigrants that lack secure status, hang suspended in space in mid-air. The spherical cocoon of thatches and thorns is an apt metaphor for the perils of displaced travelers and the communities they form.

In keeping with Bert’s commitment to engage with the cultural politics of immigration and displacement, his artistic goal is to create contemporary hybrid artifacts that highlight the commodification of labor in transmigrant contexts. The thorniness of cruel immigration policies that tear families apart and fuel informal economies serve as sticking points, while the tumbleweed itself rises from the landscape where it is carried straight to the heart of Los Angeles.

The tumbleweeds in the LAMAG exhibition bring with them an internal rhythm of place. The dreamscapes of the American West create a silent presence in our social geography that propels these forms and keeps them moving. The semi-concealed testimonies invite us to witness the hidden stories as told through the actual voices of migrants themselves. Their personal and cultural messaging creates a bond between an otherwise distant viewer drawn in by the intimacy and revelation of the traveler’s story. Bert’s aesthetic choices illuminate the faith in the dream that lives inside the minds and hearts of “tumbleweed” dreamers. Tumble Dreams gives purpose to their seemingly aimless tossings, but also fills its hollow core with the storied promise of a new future and the longing for home.

– Tressa Berman, Ph.D.

TUMBLE DREAMS

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Encoded Textiles

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Border Zone